Brian Lloyd Duckett is a professional street photographer who runs workshops across the UK and Europe. He shoots exclusively on Fujifilm, the X100F being his weapon of choice. In this three part guide, which aims to build your confidence, Brian gives you an insight in to what he teaches to help you become a better street photographer. Continue reading Conquering your fears in street photography – Part 2
All photographers are familiar with the famed ‘golden hours’ around sunrise and sunset and it’s probably fair to say that the majority of landscape images are shot in these periods. The low, warm light is extremely flattering to the landscape, so it’s easy to understand why. However, it would be a mistake to restrict your landscape photography to these times, as you would then miss the magic of the ‘blue hour’.
The blue hour is the period of twilight each morning and evening when the residual sunlight takes on a predominantly blue hue. During this time, the sun is below the horizon, but it illuminates the upper layers of the atmosphere – the longer, red wavelengths pass straight out into space, while the shorter, blue wavelengths are scattered in the atmosphere. his results in images with a blue colour cast and saturated colour. The cool, blue tones in this period can create an atmosphere of mystery and romance – so if you like your landscapes moody, this is the time to shoot. Continue reading True Blue: Shooting landscapes in the twilight with the GFX 50S
Brian Lloyd Duckett is a professional street photographer who runs workshops across the UK and Europe. He shoots exclusively on Fujifilm, the X100F being his weapon of choice. In this three part guide, which aims to build your confidence, Brian gives you an insight in to what he teaches to help you become a better street photographer. Continue reading Conquering your fears in street photography – Part 1
London based photographer Sathya Parthasarathi is aspiring to travel to every corner of the world and wants to inspire others to do the same. Having been taking pictures since the age of 9 but last year travel photography became his passion. He recently visited Morocco, and we wanted to find out more about his trip and the photos he captured. Continue reading Capturing the Magic of Morocco
We photographers often agonise over creating images that are pin sharp and which reflect reality. However, the old adage that “rules are meant to be broken” is never truer than with the creative technique of Intentional Camera Movement or ICM. Continue reading Shaken and Stirred – The Art of Intentional Camera Movement
Ah, the simple pleasures of life. They invigorate the soul! Changes and new experiences are great but it’s nice to do what you enjoy. It gives us you a lift. Genesis, my favourite band of all time, summed it up nicely when Peter Gabriel lent his unmistakable voice to, “I know what I like” and I am, sure many of you reading this will feel the same.
We are all ‘routined’ to a point and I suppose I fall into that bracket. Whilst I may be laid back I am never complacent. I regularly slip out of the ‘comfort zone’ and push myself, but if there is one thing I do not like to disrupt, it is enjoying a good night’s kip! A comfy bed with clean sheets, bit of a read, lights out and I am off.
I awake, have an invigorating hot shower, get dressed and breakfast. Then it is time to attack the day. I definitely know what I like and I approach my photography in exactly the same way. I love the mountains and great views. I will never tire of them but it would be easy to keep going along to regular haunts never being bored with them and marveling at what they give me. That won’t change. After 40 odd years of shooting professionally, I am still learning my craft and I enjoy exploring new ways to enrich my skillset. It was on one of my, “what can I do now?” days that I thought about wild camping. Continue reading A Quest to Capture the Golden Hour: Wild Camping in the Lake District
As a motorsport photographer I enjoy taking pictures of fast cars. As well as shooting cars on a race track, I work with manufacturers, drivers and sponsors photographing cars out on public roads. Working on public roads means you need to be more aware of safety considerations, for yourself, your clients and other road users.
I recently worked with Scottish race driver Christie Doran and one of her partners, the Leven Car Company in Edinburgh, who provided a Zenos E10S sports car for the photoshoot. Christie works for Leven Car Company on track days at Knockhill Race Circuit and other circuits in the UK and one of the cars she drives is the Zenos. The Zenos E10S is a road legal track car, built in Norfolk and with performance to put a huge smile on the driver’s face.
We took the Zenos out into the Scottish Borders for a day shooting in the countryside and here are my tips for anyone wanting to get into car photography.
I first became interested in switching to using Fujifilm mirrorless cameras for my professional wedding photography because I wanted to lighten my load and ever since then I’ve taken a similar minimalist approach to my whole kit. I believe wedding photographers should always have enough kit to cover all lighting scenarios, and enough back-up equipment to continue shooting a wedding if they drop any camera and lens combination! For example, if you shoot mostly on an XF23mmF1.4, you have to make sure you have a similar or usable focal length stashed in your bag! With that in mind, let’s dive right into my kitbag!
Continue reading A wedding photographer’s essential kit
In a series of articles X Photographer Jeff Carter will be shooting at sports events in the UK and showing how to capture great images with the Fujifilm X Series without the need for a media pass. In this final blog of the series, Jeff gives you all his top tips for photographing cricket.
Continue reading Sports Photography as a Spectator – Cricket