Giuseppe Foti is a Fine Art and Landscape photographer based in York UK, who constantly travels the world in search of his next photo opportunity. His aesthetic is based on his love for simplicity, minimalism and beauty. Find out whether it was love at first sight for Giuseppe in Venice, Italy with the FUJIFILM GFX 50S.
The most popular question X-Photographer Mark Gilligan is asked is “what lens do I need?”. In this blog Mark compares wide vs tele lenses for landscape photography.
X-Photographer Jeff Carter gives his guide to capturing great sports images with the FUJIFILM X Series without the need for a media pass – in this blog Jeff gives you all his top tips for photographing horse racing.
Eager to try out the FUJIFILM GFX 50S, professional landscape and wedding photographer Steven Hanna recently put the medium format system through its paces. In this interview, we find out how he got on.
When traveling and visiting new places, it’s tempting to take all your photography kit. X-Photographer Jeff Carter explains how he prioritised his Fujifilm kit to travel lighter on a recent trip to Mexico.
X-Photographer Jeff Carter gives his guide to capturing great sports images with the FUJIFILM X Series without the need for a media pass – in this blog Jeff gives you all his top tips for photographing mountain bike racing.
Photographer Craig Whitehead has been using FUJIFILM X Series for his street photography for many years, most recently having purchased the X100F. In this interview he talks about his experience with the X Series and shares some of his images from the X-T1, X-Pro1, X-Pro2 and X100F.
You may notice camera lenses are described by one or two numbers, most often in millimetres, like 14mm or 18-55mm. As a new photographer, you may have no idea what these figures mean because photo websites and product descriptions often list them without explanation. These numbers are essential […]
Some photographers decry use of the zoom lens and insist that you work with a prime whenever possible. There is no replacement for getting close to your subject for a sharper angle and a frame-filling view, this contingent will argue, and they are partly right. Yet there are […]