A perspective on the wild side

By Chris Weston

One of the most rewarding parts of my job is making an emotional connection with the wildlife I encounter. One of the most challenging aspects of my job is conveying that connection in a photograph. To do that, I have to make use of a very important compositional tool – perspective. Continue reading A perspective on the wild side

Ten tips for capturing unforgettable travel portraits

By Saraya Cortaville

Portrait photographer and X-Photographer Saraya Cortaville skillfully draws out her subject’s emotions and feelings, in a sensitive and empathetic way. Her portraits are an observation and moment of connection between two people, rather than photographer and subject. In this article, she gives us ten tips for capturing travel portraits you will remember forever. Continue reading Ten tips for capturing unforgettable travel portraits

A guide to two point lighting for city street portraits

By Damien Lovegrove

Contemporary portrait and X-Photographer Damien Lovegrove is no stranger to shooting portraits on-location. In this useful article, he gives you all the tips you need to create his two point lighting set up, specifically when shooting portraits on city streets.


The Equipment

Continue reading A guide to two point lighting for city street portraits

True Blue: Shooting landscapes in the twilight with the GFX 50S

By Mark Bauer

All photographers are familiar with the famed ‘golden hours’ around sunrise and sunset and it’s probably fair to say that the majority of landscape images are shot in these periods. The low, warm light is extremely flattering to the landscape, so it’s easy to understand why. However, it would be a mistake to restrict your landscape photography to these times, as you would then miss the magic of the ‘blue hour’.

The blue hour is the period of twilight each morning and evening when the residual sunlight takes on a predominantly blue hue. During this time, the sun is below the horizon, but it illuminates the upper layers of the atmosphere – the longer, red wavelengths pass straight out into space, while the shorter, blue wavelengths are scattered in the atmosphere. his results in images with a blue colour cast and saturated colour. The cool, blue tones in this period can create an atmosphere of mystery and romance – so if you like your landscapes moody, this is the time to shoot. Continue reading True Blue: Shooting landscapes in the twilight with the GFX 50S

A Guide to Car Photography

By Jeff Carter

As a motorsport photographer I enjoy taking pictures of fast cars. As well as shooting cars on a race track, I work with manufacturers, drivers and sponsors photographing cars out on public roads. Working on public roads means you need to be more aware of safety considerations, for yourself, your clients and other road users.

I recently worked with Scottish race driver Christie Doran and one of her partners, the Leven Car Company in Edinburgh, who provided a Zenos E10S sports car for the photoshoot. Christie works for Leven Car Company on track days at Knockhill Race Circuit and other circuits in the UK and one of the cars she drives is the Zenos. The Zenos E10S is a road legal track car, built in Norfolk and with performance to put a huge smile on the driver’s face.

We took the Zenos out into the Scottish Borders for a day shooting in the countryside and here are my tips for anyone wanting to get into car photography.


Continue reading A Guide to Car Photography

Sports Photography as a Spectator – Cricket

By Jeff Carter

In a series of articles X Photographer Jeff Carter will be shooting at sports events in the UK and showing how to capture great images with the Fujifilm X Series without the need for a media pass. In this final blog of the series, Jeff gives you all his top tips for photographing cricket.


Continue reading Sports Photography as a Spectator – Cricket

Here comes the sun – a guide to photographing sunbeams

By Chris Upton

Photography is all about the light and, as landscape photographers, we are constantly searching for the most interesting and evocative lighting conditions. Without it our pictures can be dull and lacklustre but when Mother Nature performs her magic, the landscape is transformed enabling us to capture some stunning imagery.

Some of my favourite conditions are shooting into the sun to capture those dramatic sunbeams, starbursts or beautiful back-lit scenes. Although this is counter intuitive to everything we are taught early in our photographic journey, this technique helps emphasise, shapes, lines and silhouettes to produce some striking images.

Here are some hints and tips to help you capture atmospheric sun kissed images. Continue reading Here comes the sun – a guide to photographing sunbeams

Top tips on becoming a wedding photographer who stands out from the crowd

Wedding photography is becoming an increasingly competitive market, and it can be tough making sure you stand out from the crowd. Wedding photographer and ‘funtojournalist’, Marianne Chua’s has some excellent advice on how to become a unique photographer. Continue reading Top tips on becoming a wedding photographer who stands out from the crowd

An Introduction to Astrophotography with your X Series

Taking stunning photos of the night sky, capturing crystal clear skies and pin-sharp stars can be tricky for beginners. In this article, Steven Hanna tells you everything you need to know about how to take great Astrophotography photos. Continue reading An Introduction to Astrophotography with your X Series