As well as shooting trackside and pitlane action, FIA World Endurance Championship (WEC) and European Le Mans Series (ELMS) official photo agency Adrenal Media are always looking to provide some very special images from each of the events.
Creative Director and Fujifilm X-Photographer John Rourke invited German race team Proton Competition to bring both of their Porsche 911 RSR 991 race cars to La Source at the recent ELMS weekend at Spa-Francorchamps in Belgium to photograph their car using a rig and a Fujifilm X-T2 to capture a shot of the two race cars from an unique vantage point.
The rig is a 6 metre carbon fibre four section boom made by UK firm Car Camera Rig that is fixed to the car using high powered suction clamps.
The camera, which is a FUJIFILM X-T2 fitted with the XF10-24mm ultra-wide angle zoom lens, is then fixed in position to the end of the boom. To achieve the correct exposure the camera is fitted with a Formatt Hitech filter system, in this case a Polariser and an ND Grad and then an ND filter to extend the shutter speed to around 10 seconds. This allows Adrenal Media to take images from a position that would not be possible to take when the cars are on track racing.
Using a long shutter speed of between 8 to 10 seconds the movement in the shot is achieved at walking pace by team members pushing the cars and the result is an image that makes it look like both Porsches are moving at racing speed.
“We started asking teams to provide us their cars back in May for these special images but this shot with Proton Competition is the first we’ve done with two cars from the same team,” said John Rourke. “The reason we use the rig is to take images of the cars from a vantage point that would be impossible to do in the real world.”
“Each shot takes around 20-30 minutes to complete once the rig is attached to the car,” John continued. “The rig itself is lightweight thanks to the carbon fibre construction so it doesn’t take long to put in position, the biggest issue we have is finding a place to attach the suction clamps to the bodywork of the car. Some cars are wrapped, so the suction clamps don’t have a perfect seal, so we usually do a pre-shoot recce with the team to ensure there are mounting points where the rig can be securely attached to the bodywork of the car.”
Mounting the suction cups
Mounting the suction cups
“The X-T2 is the perfect camera for this type of shot. The 24mp X-Trans III sensor gives us high resolution images to work with and the tilt screen is a real help when the camera is attached upside down to the end of the boom.”
“The biggest challenge with shooting with two cars was keeping both Porsches moving at the same speed and we did the shot a few times to make sure we had one that we were all happy with.”
Once an image is selected, it is then edited by John to remove the boom and other elements that shouldn’t be in the final shot. The result is a dramatic image that highlights the excitement of racing in the European Le Mans Series.
By Ben Cherry – Environmental photojournalist & Fujifilm X-Photographer.
I’ve been fortunate enough to be a part of the volunteer media team covering a project called Flight of the Swans. This is an ambitious conservation expedition, where Sacha Dench will paramotor from Arctic Russia back to the UK over 10 weeks following the flyway of Bewick’s swans.
This charismatic species was what encouraged Sir Peter Scott to set up Slimbridge and eventually the Wildfowl Wetlands Trust (WWT). Now though, the species is under threat having gone through a dramatic decline over the past twenty years. Between 1995 – 2010 the Europe population fell from 29,000 to just 18,000. The purpose of this expedition is to raise awareness of their plight, to confirm the key reasons for it, and hopefully create solutions.
This is the first of three blogs covering the project. Here we will focus on the lead up to the take off and the ground team reuniting with Sacha. Then there will be a blog during the expedition and one just as we all return to the UK.
Sacha preparing her paramotor. X-Pro2 and XF56mm F1.2
Sacha and Alexander flying over Dartmoor during a practise exercise. X-T2 and XF100-400mm
Full Moon evening flight. X-T2 and Xf100-400mm
How I got involved
Ambitious and ‘out there’ projects like this don’t come around very often so when I saw the advertisement online I jumped at the chance to get involved. I was lucky enough to be shortlisted alongside an amazing group of people and the next step was a selection weekend in Wales, where we were put through a series of exercises to see how well we can adapt and collaborate. This was a fantastic weekend, supervised by seasoned explorers and everyone came together, despite the competition and lack of sleep!
Once I was informed that WWT would like me to be a part of the media team, I became as available as possible to help where I could, leading up to the off. We have been put through a series of training exercises from remote first aid, to satellite phone tutorials, as well as covering some of Sacha’s specialist training, like having to jump into a simulation pool at RNLI College, Poole to see how well her flotation devices for the paramotor work! It does help that she used to be a professional free diver…
I have two bag set ups for two different purposes:
Shoulder bag/go bag
This is basically the first thing I grab when we arrive at a general location. It contains an X100T, X-Pro2, XF16mm F1.4, XF35mm F1.4, 56mm F1.2 and an SP-1 printer. The set up encourages me to be creative as well as being small and not intimidating when first encountering a new community.
Backpack – Wildlife/assignment bag
When I know we are going out to find the swans or capture other aspects of nature, then this is the bag I grab. Inside is an X-T2, X-T1, XF10-24mm F4, XF16-55mm F2.8, XF50-140mm F2.8, XF100-400mm F4.5-5.6. As well as miscellaneous items like filters, cleaning kit and a flash set up.
Having the two distinct bags means that I can keep my kit focused for particular types of photography, as well as not constantly overloading myself with gear. This particular project has so many interesting factors, from tracking the swans which are very timid in Russia and much of Europe, to engaging local schools, conservation and hunting groups. My kit has to be able to maximise each and every opportunity.
The rangefinder cameras are brilliant as they are particularly inconspicuous. I keep them together as I use my right eye with the rangefinder cameras, while I use my left eye with the SLR style cameras. The X-T range cameras are generally more flexible, particularly the X-T2. So from my perspective it makes sense to keep the most versatile lenses (zooms) and cameras together. Generally the X-T2 has the XF100-400mm attached inside the bag so it is ready in case we come across any wildlife suddenly or Sacha has to take off/land quickly. The advanced autofocus and 4K footage makes the X-T2 ideal for this kind of project.
Sacha has made amazing progress so the ground team have had to work double time to make sure we join up and keep on schedule. We left on the 14th September, and have managed to cover over 2,500 miles during that time, along with a 32 hour stay at the Russian border.. We will hopefully reunite with Sacha tomorrow!
From there we will then steadily start heading back to the UK all together. Along the way we will be conducting lots of press, conservation and community events. Please be sure to follow our social media channels as we will be trying to make our presence known along route and could be passing nearby! I am in charge of the social media channels from the field team, so I will be sharing images straight to my phone via the FUJIFILM Camera Remote app and sharing them across our social media channels (see below).
Once we are back in the UK we will be visiting some of the fantastic WWT nature reserves as well as holding other exciting UK events. We will be running various live broadcasts too so be sure to stay up to date! You can find all the latest information via our social media channels:
Next month I’ll be giving an update on the project, as well as offering a photo travel guide for the locations we have passed through. Our focus so far has been making as much time as possible, once we are all on the return leg then our media team can really get to work so I promise there will be plenty of photos to share in the next instalment.
Be sure to stay up to date! From Russia with love. 🙂