X-series users from across the globe share their finest images and the stories behind them
Here’s a few more users’ images published in our Fujifilm X Magazine. If you would like to see your images in our magazine, and if you’re an X-series user, we’d love to see your shots. Email your images, along with details of the story behind them and some information about you and your photography to: firstname.lastname@example.org
MATTHEW HART – FESTIVAL TIME
I had a press pass for the Africa Oyé festival and this image was taken from the press pit. The event is the largest African music festival in Europe and is held every year at Sefton Park in Liverpool. This lady was just dancing in the crowd, so I grabbed a shot then processed the resulting image using Adobe Lightroom and Silver Efex Pro 2.
I’ve been blown away by the X100, not only does it look great but it’s all you need when you are out and about. I’ve been so impressed with the image quality that I sold all my Nikon DX bodies and lenses. It really is that good!”
I’ve owned an X20 for a couple of months and it has put the fun back into my photography. I always want to go out and shoot more! It offers a 1:1 format, which I like to use on my portraits, plus I love the fact that it’s both small and light but doesn’t limit my creativity in any way.
Victoire is my partner’s grand-daughter. For portraits like this, I prefer to work like a photojournalist, trying to seize the moment. I just left her to have fun while I took photographs using the available light – I wanted her to completely forget about me and the camera.
I try to keep post-production to a minimum. Here I used Lightroom 5 to convert the Raw file and Color Efex Pro 4 to add the contrast and colour.”
This is my son’s friend Tommy who had just returned from an extended trip to California. I wanted to get an image of his tattoo, but didn’t want just a record of the artwork. This guy has a beautiful form and his face is classic. I realised while looking through the viewfinder that parts of all those elements just looked right. The shot I took afterwards, with his face in it, isn’t half as compelling to look at.
As soon as the X100 was announced, I sold the digital camera I was using. I don’t need program modes and I don’t need the camera to do the thinking for me; give me an f/stop, shutter speed and ISO control and that’s it. I have the X100 with me all the time – that’s no exaggeration. The camera is built well and stands up to daily use; I don’t baby it. The image quality is just amazing, too – there’s a lustre to the photos that I really can’t describe, it just fits with how I see the world.
Internationally-renowned photographer Alex Lambrechts insists on excellence – so naturally he uses X-series cameras
Photographer Alex Lambrechts will turn 40 later this year, but seems to have lived more lives than most people have had hot dinners. When reading his biography for the first time you’d be forgiven for thinking there’s been a horrible error at the proofing stage, resulting in a mash-up of the life stories of seven, maybe eight individuals – but this is all Alex. He’s achieved excellence in martial arts, running his own training school at the age of 19 at the same time as setting up and managing several bars and restaurants in Sydney, before slipping into the mysterious world of personal protection and joining the private security details of several Hollywood A-listers and international businessmen. In the nineties Alex switched paths again and rose to the top as Creative Marketing Director for British American Tobacco – a modern-day Don Draper of sorts – before returning to his restaurant roots and a career behind the scenes of several high-profile eateries. He attends the Cannes Film Festival every year and runs private parties for discerning individuals – past clients have included Quentin Tarantino, Naomi Campbell and Paris Hilton – and amongst all of this, he’s also found time to become an internationally-renowned photographer. He’s making the rest of us look very bad indeed.
A man of the world
Born in Uruguay and raised in Australia, Alex lived in London for the past ten years but is currently to be found in New York, where he’s quite sure that he’s found the ideal space for him at this time in his life. “This is definitely where I want to be at this stage in my career – I think I will be here for some time,” he says. “I do travel all over the world for work though and photography is great like that – you can just pick up your gear, jump on a plane and go!”
Having first picked up a camera in earnest at the end of 2009, Alex is a relative latecomer to professional photography – but as he grew up amongst his parents’ photographic printing labs he found he had years of experience to draw upon. “I was using 35mm SLR cameras from a very young age,” he explains. “I left photography for many years, until four years ago when I started shooting friends at parties I was hosting in London.” At this stage, Alex was shooting with rangefinders and larger, bulky DSLRs – but by his own admission he prefers the smaller rangefinder-styled cameras such as the Fujifilm X100S. Nowadays he shoots with various cameras, depending on the assignment’s unique requirements – but his favourite and most-often used camera is still the X-Pro1. “I love this camera,” Alex enthuses about the Fujifilm CSC.
“I try to use it first at every opportunity. I’d say I use it on every job. But it’s not only about cameras for me: the lenses are really important. If I have a big job on, I have the usual spare lenses – always prime lenses, I’m not a fan of zooms. How [the lenses] behave, what kind of unique qualities they have – this is usually what I think about before [I think about] which camera. And the X100S has the perfect lens built in,” he smiles.
A lifetime of inspiration
Lambrecht’s varied career has influenced his image-making by providing him with a wealth of references to draw upon when approaching a new commission. “Everything I have done in my life comes into play when I pick up a camera: my ability to be vigilant and observant, looking for nuances in everyday life, looking for subtext, knowing how to work with brands – it’s all of invaluable benefit,” he says. “I think it definitely gives me an edge when working in teams and especially when working with clients, as I understand their requirements on many levels.”
As you’d expect from someone with a background
in top-end corporate marketing, Alex is a keen follower of the creative fields – particularly art and fashion – and is currently experimenting with more physical forms of artistic expression. “I’m currently experimenting with painting, combined with my street and documentary photography,” he hints. “I have a couple of galleries which are eager to show and sell my work here in New York, however I haven’t released this to the public yet, so that’s as much as I can tell you about that until the launch…”
Shooting the Big Apple
New York is a city that’s hard to resist, and every corner seems to present a new photographic opportunity – so it’s no wonder that Alex is choosing to spend his time indulging his love of street photography. He’s just one of many Fujifilm-using photographers enjoying the fast-paced hunt for the “decisive moment”, but tends to keep his pure street photography for himself as a break from his day job pictures. Alex’s moody black & white street work is filled with emotion and impact, and the X100’s diminutive size yet powerful performance makes it ideally suited to this demanding type of picture-taking where travelling light is the name of the game. “I shoot street photography every single day,” he says, “especially here in New York. My street photography is a very personal project for me and I am extremely critical of my own work, and set strict standards for myself. I shoot a lot of commercial work so it’s nice to have [street photography] that I can do completely on my own terms. I follow my own rules and I don’t expect others to understand – I am definitely my own harshest critic!”
Alex’s interest in street shooting spills across into to his approach to all his image making, with his biography describing his characteristic style as both ‘raw’ and ‘street’. “I tend to add a little more subtext [to my images] than your typical fashion photographer might – I like to have a fly-on-the-wall feel to my photography whilst not being voyeuristic… trying to stay true to the subject matter,” he says. “I guess my images convey my style better than I can describe it – it’s natural for me, and I tend not to think too much about it. I want the viewer to be drawn in and gradually work out the various messages encoded both intentionally and intuitively.”
Secret of his success
Alex now works with many commercial clients who love the engaging, emotive imagery that he can create, such as the vividly striking shoot for children’s fashion line That’s Not Fair, all of which were shot on the X-Pro1. Yet when pushed for advice, it transpires that the secret to his unique photography doesn’t actually rely on Alex’s many lives-worth of experience: for those looking to try their own hand at creating portraiture like Lambrecht’s, the photographer has these simple pointers. “Spend time getting to know your subject and shoot them as they are, without imposing too much of your own experiences and preconceived notions into the image. That’s the challenge,” he says.
In December 2012 I received my first X100s, a pre-production camera and was tasked to capture some images of Northern Ireland in advance of the world launch in February.
As a big Fujifilm X100 fan I was obviously excited to see how the latest release performed and boy did it perform! I posted my first “Hands on the X100s” post in January and since then little camera has gone literally everywhere with me.
I pack my X100s in the original X100 leather case and it rarely escapes compliments from people often when it is still in the stylish leather case. The leather case offers a great deal of protection yet manages to keep the whole package small and portable. I can carry the camera in my everyday bag without the fear of damage.
I love everything about the X100s, the 35mm focal length is perfect for documentary photography, it is a versatile camera capable of capturing stunning images in everyday situations without drawing the fear factor often associated with a DSLR.
All of the following photographs were captured either on days when I wasn’t setting out with the aim of taking photos or in the case of the music photography images the X100s was acting as a second camera. I take the X100s literally everywhere, not just for the portability but for the fact I can rely on it to capture stunningly sharp and vibrant images. Click on any of the photos to view large on flickr.
X-series users from across the globe share their finest images and the stories behind them
Here’s a selection of users’ images published in our Fujifilm X Magazine. If you would like to see your images in our magazine, and if you’re an X-series user, we’d love to see your shots. Email your images, along with details of the story behind them and some information about you and your photography to: email@example.com
VICENTE DASÍ LÓPEZ – STROLLING WITH MY X100
Vicente won his X100 in a Fujifilm-sponsored competition. “The theme was street photography and I entered an image taken in Valencia using my X10,” he says.
Now that I’ve got the camera, I often go walking around Valencia and take it with me; that’s where I took this image. I find the X100 is really comfortable to carry and delivers excellent results with the high-performance Fujinon lens; it’s perfect on detailed subjects like this. There’s very little noise when working with high ISO settings and I like the way the controls are distributed – the design helps me enjoy taking every shot and encourages my creativity.
This is my dog, Duncan. It was one of the first shots I took when I went out testing my new X-Pro1 in a forest near our home in Holland.
I love black & white photography, even more than colour. This image was taken using the Monochrome Film Simulation mode and I tweaked the colour temperature in Adobe Lightroom to give the image a real vintage look.
The X-Pro1’s size and weight are crucially important to me. My health limits how much photography I can do and if the camera was too heavy, I wouldn’t be able to take pictures at all. I also like the image quality – the pictures are sharp straight out of the camera. 90 per cent of the time, I shoot JPEG instead of Raw because the quality is that good. The ISO performance is magnificent, too
I don’t feel scared to push it to ISO 6400.
SHANEA GAIGER – FRECKLES AND SPECKLES
This is my daughter Derryn who has for a long time had some severe body dysmorphic issues. We had talked about a ‘demon-confronting’ shoot for a long time and the idea was to create a few images of her without make up, without retouching, just using natural light, so she could see how beautiful she actually was, despite her own feelings. It worked, so well, in fact, that she gained enough confidence to take up modelling as a part-time hobby.
I moved to the X-S1 from an S100FS and it feels much more solid and produces better results. I was recently asked to do a basic photography lesson with a young autistic lad interested in photography and we used the X-S1. He had never attempted to use a ‘real’ camera before but he found it really easy to get to grips with and by the end of the day he was talking about buying one himself.”
Remember, remember, there’s plenty to shoot in November! Don’t put your camera into hibernation just when the nights are drawing in – try our pick of this month’s most photogenic events
Couple walking in night lights.
Australian seascape at sunrise
Starry sky in winter
Boats on shore of Lake Motosu with Mount Fuji in background
The end of October saw the clocks shuffle backwards by an hour across the whole of Europe, giving early risers a little more daylight, and earlier sunsets at the end of the day. Don’t be disheartened by the encroaching dark or use it as an excuse to hang up your camera until the spring, though – there’s plenty to shoot in these shorter days. For starters, why not try your hand at some low-light photography? Before you even leave the building, do a little planning.
Think about where you’d like to shoot, and be sure to tell someone where you’re headed – or better still, convince an equally shutter-happy friend to come along for the ride.
Don’t let your quest for the perfect shot get in the way of personal safety, and be sensible about where you plan to stop and take pictures. Cities and remote landscapes alike can be beautiful once the sun’s gone down, but they can be scary and potentially dangerous as well – so be safe.
Low-light landscape pictures can be incredibly impressive, but getting a great shot when there’s little light around is a real challenge – longer shutter speeds are essential, so make sure you’ve got a tripod or other support on hand to ensure pin-sharp details. Keep your ISO setting low and set a shutter speed of around 15 seconds to capture as much light as you can. Set your lens as wide as possible and ensure your aperture’s also as wide as it can go, which will help to retain details and make the most of available light. Adjust your camera’s white-balance to change the mood of the image: you might find that cooler, bluer tones give you more of a midnight feel, so don’t forget to experiment while you have the chance.
Want to capture a lifelike scene at dusk? You could always test-drive the built-in HDR feature on most X-series cameras to layer exposures and achieve as much detail as possible in your final image. And if your dramatic sunset landscape has turned out cloudy, try using the X-series’ Film Simulation modes to shoot a moody black & white twilight scene with real drama in the skies above. Most importantly, don’t forget to take a torch, keep a spare camera battery cosy in your pocket and wrap up warm, because the more comfortable you are, the more you’ll enjoy your low-light shoot.
If the month lives up to its reputation we’re in for chilly mornings – but this means beautiful images of finely-detailed frost for you. Get close to the fronds of plants in your garden, or seek out a frozen cobweb for a glorious late-autumn shimmer. Just head out around sunrise before any thaw and don’t forget your gloves!
Wild creatures are readying themselves for the rigours of winter, so this time of year is an ideal opportunity to see beasts out and about collecting their food. If you’re a fan of feathered subjects, try setting up a feeding station in your garden and see what local birds you can lure in front of longer lenses like the XF 55-200mm.
The big switch-on seems to happen earlier every year – but that just means more time for shooting the decorations! Larger towns and cities become a festive light show, but make sure you time your shooting for twilight so there’s still some blue in the sky – it’s this contrast of natural and man-made light that will make your shots sparkle.
With Christmas just around the corner, you’ll find festive markets aplenty in your local towns and villages. Seasonal crafts, twinkling decorations, cheerful crowds and a variety of unusual foods present ideal subjects, and if you’re shooting handheld, remember to switch your Optical Image Stabilisation on for sharper shots.
Long exposures change the way you see the world, and a great example is when shooting the rush hour. Using a shutter speed of around 10 seconds turns crawling cars into an amazing stream of light and with its shortened days November is the perfect time to try it out – you can even shoot a few on your way home from work.
FUJINON XF lenses are all about quality. Quality of build, quality of performance, quality of results. With prime (single focal length) lenses, quality is to be expected by virtue of their more simple optical construction. But good results are less of a foregone conclusion when it comes to zooms. Until recently, the XF55-200mm f/3.5-4.8 R was the only telezoom in the Fujinon line up. It’s since been joined by the XC50-230mm f/4.5-6.7, which was launched alongside the X-A1 and is designed for mid-range X-brand models. But the XF55-200mm remains top dog by virtue of its faster maximum aperture and more solid build, making it the perfect accompaniment to the X-E and X-Pro models. We tested the lens on the latter model.
The first thing you’ll notice about the XF55-200mm is its impressive build quality. It looks and feels as though it’s built to stand the rigours of daily use and feels reassuringly solid in every aspect of construction. The zoom collar is both large and very smooth to use, while the manual focusing ring at the end of the lens and the aperture ring near the body are both well sized and a real pleasure to control. It comes supplied with a deep lens hood to keep a tight control on flare, plus there’s a switch to turn Optical Image Stabilisation (OIS) on and off, alongside the automatic or manual aperture control switch. The OIS is worthy of note. Offering up to 4.5 stops of compensation, we found that even at the 200mm setting, we were able to shoot with shutter speeds around 1/20sec without any evidence of camera shake.
With the XF55-200mm attached to the X-Pro1, the combination is neither heavy nor bulky – it’s fine to sling over your shoulder while you’re out for a walk, plus the zoom action is constructed in such a way that there’s no zoom creep, even with the lens pointed down.
A focal range equivalent to 84-305mm on a 35mm camera means the lens offers plenty of versatility. We used it for a wide range of subjects, from portraits through to sporting action. The focusing proved accurate and the out-of-focus areas were lovely and smooth thanks to the seven-blade aperture diaphragm.
The real beauty of the lens, though, is in the quality of the results. In keeping with the Fujinon XF philosophy, the resulting images display impressive levels of sharpness thanks to the combination of high-quality optics and the X-Pro1’s wonderful X-Trans sensor. The lens also showed great consistency through the focal range and aperture settings. Whether you’re shooting wide open at 55mm or stopped down at 200mm, you can be confident of getting great results every time.
An emphasis on detail, texture and pattern is what makes macro photography so
complex and unique. If done properly, macro photography can give you mind-blowing
results. In this article, let’s go through a few tips which will greatly improve your macro
photography skills and help you take dramatic and high impact shots.
Turn on macro mode: This may seem like a tip for dummies, however many beginners
forget or do not know because they’re too lazy to scan through the thick manual. Macro
mode is usually represented by a small flower on the setting dial. This lets you bring the
lens of the camera closer to the subject.
Use a tripod: Since macro photography is all about sharpness and clarity, you must use
a tripod to avoid any form of vibration that may occur. A tripod will greatly help you in
getting a sharper image.
Focus manually: When the subject is very close to the lens, the auto-focus would tend to
search backward and forward for something to focus on. It would save you a lot of time
to manually focus on the subject and would also be a lot more precise. For starters, shoot
stable objects like flowers where you can take all the time in the world to get your focus
spot on. In time and with practice, you can shoot insects and other wildlife.
Turn the flash on: A shadow can completely ruin your picture; so don’t forget to use
flash. However, you should idly shoot in brightly lit spaces. Use a reflector if you have to
fill the shadow. It would be perfect if you could adjust the intensity of the flash on your
camera, however if you cannot, tape a piece of tracing paper to the top of your flash to
adjust the brightness of the flash.
Aperture: Having the freedom to adjust your aperture settings is a big plus point as it
allows you to control the depth of field. Certain cameras do not allow you to change the
aperture setting once in macro mode. However, if they permit you to do so, you should
use a large aperture in order to blur out the background.
Macro photography is great fun and will keep you preoccupied for ages. You can
endlessly experiment with it on a variety of subjects. It will literally open up worlds
within worlds, so let those creative juices flow and let your camera go wild.